TV Article Step Up 3D By Owen Gleiberman Owen Gleiberman Owen Gleiberman is the former film critic at Entertainment Weekly. He left EW in 2014. EW's editorial guidelines Published on August 4, 2010 04:00AM EDT Photo: John Bramley Step Up 3D isn’t, in dramatic terms, a very good movie, but it’s the first film in a while to use 3-D as more than a marketing ploy; it points toward an original way of making a musical. The dance sequences are glittery, percussive explosions of citified youth energy. They feature a lot of break-dance moves that are 25 years old, only executed with a stomping new aggression, and the 3-D lends them a stroboscopic, almost vibratory aura. The in-your-face visual flash is exciting. It helps to compensate for the film’s hyper-thin plot and faux ”street” corniness, with teams of dancers facing off in competitions that turn them into gangbangers gone Broadway. The heroes are the Pirates, a rainbow coalition of hoofers who, in a sense, are the perfect image of racial and sexual integration: They’re all equally bland. Except, that is, for Moose — a moptopped, floppy-limbed teen upstart played by Adam G. Sevani, who looks like Michael Cera impersonating Maya Rudolph and who dances like a marionette on helium. The editing is chop-chop manic (as if the 3-D weren’t grabby enough), but then Moose and the girl he likes (Alyson Stoner) do a sidewalk duet in an unbroken two-minute take. If there’s a third Step Up sequel, it would do well to let all these kids spin and pop in their own space and time. B- See all of this week’s reviews